Explainer ads
Ads that explain the product, not just interrupt.
15s and 30s hooks · 9:16, 1:1, 16:9 · concept variants for testing
Ten videos for what a studio charges for one. Ads, onboarding, product, sales and how-to - you give the brief and the sign-off.
Not one hero film a year. The explainers that keep a launch, a rollout and a sales team moving - produced in days, on repeat.
Ads that explain the product, not just interrupt.
15s and 30s hooks · 9:16, 1:1, 16:9 · concept variants for testing
Day one, policy and change, in video people finish.
onboarding series · training modules · policy and compliance · org-change explainers
Show what it does in sixty seconds.
homepage explainer · feature launch · release highlight · store listing
One story every rep tells the same way.
pitch explainer · async demo · case-study story · follow-up clips
Turn the instructions nobody reads into sixty seconds they follow.
setup and install · step-by-step how-to · patient and client instructions · in-app video
Real work, every frame produced in-house.
Storyboards, an After Effects specialist, rounds of revisions: six to eight weeks before anything ships. So it goes out written down instead - a landing page nobody scrolls, a deck nobody opens, a help article that keeps generating the same ticket.
Four moves, five days. Your jobs are the brief and the sign-off.
One call with your team. We lock scope, brand guidelines and the rollout calendar together.
You approve the narrative before we animate a frame. No 50-page documents to wade through.
Script, motion and voiceover, handled by our in-house team - one cut, on brand and on message.
Delivered ready to publish. Then we template it, so the next one is even faster.
We used to brief one ad film a quarter. Now we ship a new angle every week.
Mara Delev, Head of Growth
Week one used to be a reading pack nobody finished. Now completion is a number we put in the board deck.
Jonas Reiter, Head of Learning and Development
Launches used to ship without a video, because the video took longer than the feature. Now it goes out the same day.
Priya Anand, Director of Product Marketing
One film. From EUR 1,500. Five days.
Watch it before you commit to anything else. If it is not something you would put your name on, we refund it in full. No retainer, no minimum, no change orders.
8X faster, at around a tenth of the cost. Studio figures are estimates based on published benchmarks. Ours is a starting price - the final number depends on length, format and cadence, and you get it in writing on the call.
A finished, on-brand animated video - script, storyboard, motion, voiceover and every export format, produced end to end by our in-house team. You bring the source material and the sign-off; we handle everything between the brief and the final cut.
We're an AI-first animation studio, so we don't animate every frame by hand. AI takes an approved script to a first cut in minutes, then our team refines it into a polished, on-brand film in hours - work that takes a traditional studio weeks. Same finished quality, a fraction of the time. Five days is the promise for a standard film; genuinely complex done-for-you projects can run longer, and we say so before you commit.
A traditional studio quotes for weeks of specialist animator time. We don't spend those weeks. AI takes the script to a first cut in minutes, then our team refines it into a finished, on-brand film in hours. You're paying for the direction and the polish, not the frame-by-frame labour.
No. Training and onboarding is where we started and where most of our work still sits, but the same engine and the same team produce ad creative, product explainers, sales videos and customer how-to. If it needs to explain something clearly, it's in scope.
Agencies sell one-off hero films on long timelines. We build a repeatable video engine - templated formats we ship continuously as products, policies and campaigns change, so the second film costs less effort than the first.
We're an AI-first animation studio, and no, they won't. Modern AI animation is indistinguishable from a designer who spent hours in After Effects - your audience just sees a clean, on-brand video. Being AI-first is what makes us fast and a fraction of studio cost, not what makes the work look any less polished.
Most teams start with one pilot video, so they can see the format and the turnaround before committing to anything. That first film starts at EUR 1,500, and if it isn't right we refund it in full. Once it lands, we scope a recurring programme around your highest-frequency need and price the cadence - longer films, more formats and more languages cost more, and you'll get the number in writing on the scoping call.
The first film. You approve the script before we animate anything, so there should be no surprises - but if the finished cut still isn't something you'd put your name on, tell us and we refund what you paid for it in full. It applies to the first film only, which is the one you're taking a risk on.
As many rounds as it takes to get to a cut your team signs off on. Revisions are part of the scope, not a change order - you'll never get an invoice for feedback.
Yes. We lock brand, tone and visual system in the brief, and bake it into the template. Every film that follows ships on-brand by default - no re-litigating design each round.
Whatever you already have - a landing page, a policy doc, a deck, a recorded session or just the outline of what people keep getting wrong. We turn it into a script on our side, and your only real job is approving it.
That's exactly what the rolling cadence is for. Feature releases, policy updates, new ad angles and structural shifts are produced on a recurring schedule, so nothing ships stale and people always see the current version.
Teams that have to explain the same thing often: growth and performance marketers running ad creative, product and product marketing shipping launches, sales teams standardising the pitch, and L&D, HR and internal comms onboarding and training people. The last group is where most of our work sits today.
Tell us what you need explained. We'll come back with what's worth filming, what it costs and when it lands.